HDR Hero Lightroom Presets
Adobe Lightroom 2.2 is one of the best programs mentioned here, and it has a rich workflow environment. As well as processing RAW files, the program offers good Digital Asset Management, which involves ways to add identifying notes to files, organize files, print directly from the program, produce Web sites, contact sheets, and more. Lightroom 2.2 is full of goodies. It has major sections that you choose from the top menu Library (for file management), Develop (for RAW develop settings), Slideshow, Print (to AB.4 Adobe Lightroom 2.2 interface AB.4 Adobe Lightroom 2.2 interface print directly from Lightroom), and Web (to create Web galleries directly from Lightroom). As you look at the Develop tab, you'll notice the many similarities to Adobe Camera Raw. However, Lightroom contains many other goodies as well, lurking just under the histogram. There's a refined cropping tool, a spot removal tool, a red eye reduction tool, a new and very cool gradient tool that allows adjustable...
RAW capture allows you to save the data that comes off the image sensor with virtually no internal camera processing. The only camera settings that the camera applies to a RAW image are ISO, shutter speed, and aperture. And because many of the camera settings have been noted but not applied in the camera, you have the opportunity to make changes to settings including image brightness, white balance, contrast, and saturation when you convert the RAW image data into a final image using a conversion program such as Canon's Digital Photo Professional, Adobe Camera Raw, Adobe Lightroom, or Apple Aperture.
Start Lightroom, and set the preferences for a default catalog to prompt you when starting up. 16. In Lightroom choose File O AutoImport O Enable. This sets Lightroom to auto import. 20. Take a test shot. Take a test shot within three to six seconds, the file appears. Then go to Develop mode by clicking on the Develop tab in Lightroom. You are now ready. When I shoot people, I use the quick preview program with EOS this pops up the current image in about two seconds. When I have more time or when testing, I use Lightroom to preview.
Tip If you're shooting RAW images, the Rebel's 14-bit files provide significantly richer color than previous Rebel files. And the files can be converted and saved as 16-bit files in conversion programs including Canon's Digital Photo Professional and Adobe's Camera Raw and Lightroom. If you're shooing JPEG images, the camera converts the 14-bit files to 8-bit mode before storing them on the SD card, but the 14bit files still provide better tonal gradations and richer color for JPEG conversion than previous Rebel files.
If you shoot RAW capture, you can then use a conversion program such as Canon's Digital Photo Professional, Adobe Lightroom, or Adobe Camera Raw to process and save images as 16-bit TIFF images to get the maximum range of colors offered with 14-bit processing. In addition, if you shoot JPEG capture, the 8-bit files are rendered from the 14-bit RAW data resulting in fewer blown highlights and finer gradation. With highly saturated subject or high-contrast subjects that have clear light and dark feature differences, the color reproduction and tonal rendition from highlights to shadows is improved with the 40D. Finally, Highlight Tone Priority offered via C.Fn II-3, provides finer gradation from grays to highlights and reduces the likelihood of blown highlights particularly in bright subjects such as a bride's wedding gown.
When you set the date and time, the data is contained in a sidecar file embedded into each image file as part of the metadata. Metadata is a collection of all the information about an image, including the filename, date created, size, resolution, color mode, camera make and model, exposure time, ISO, f-stop, shutter speed, lens data, and white balance setting, among other information. You can access metadata in image-editing and processing programs, such as Adobe Bridge, Photoshop, Lightroom, and DPP.
Your choice of color space should enhance your overall workflow and enable you to maintain color reproduction consistently across all your devices and capture as much image data as possible. Whichever option you choose, remember that you can always change the color space in Photoshop or DPP. DPP supports sRGB, ColorMatch RGB, Apple RGB, and Wide Gamut RGB color spaces. ICC profiles can also be attached to TIFF and JPEG images when converted from RAW files. This allows faithful reproduction of colors in software applications that support ICC profiles, such as Photoshop and Lightroom. A set of image adjustments can be saved as a recipe and applied later. If you choose Adobe RGB, the 5D Mark II image filenames are appended with _MG_ xxxx.type.
When shooting a portrait, after making all my exposure settings, I have my subject hold the target under or beside his or her face for the first shot and then continue shooting without the card in the scene. When you begin converting the RAW images, open the picture that you took with the target. Using the conversion program's white balance tool, click the gray section of the target to correct the color and then click Done to save the corrected white balance settings. If you're using a RAW conversion program such as Camera Raw, Lightroom, or DPP, you can then copy the white balance settings from the corrected image and apply them to all the images shot under the same light. In a few seconds, you can color-balance 10, 20, 50, or more images.
When you're done shooting, copy your raw files to your computer using whatever technique you normally use for JPEGs. If you're using a version of Photoshop or Photoshop Elements, Aperture, Lightroom, or iPhoto, then you'll be able to work with your images just as if they were JPEGs. The browser functions built into these applications will be able to read the files (assuming they've been updated with T1i support) and display thumbnails. iPhoto, Aperture, and Lightroom let you use the same editing tools that you use for JPEG files when you edit a raw file. However, some of these tools, such as white balance, will have far more latitude on a raw file than they do on a JPEG. These editors will also provide additional tools when working with raw files, such as highlight recovery tools. Consult the documentation that came with your image editor to learn more about editing raw files.
RAW image data is stored in proprietary format, which means that the RAW images can be viewed and converted using the camera manufacturer's RAW conversion program, such as Canon's Digital Professional Pro conversion program, or a third-party RAW conversion program such as Adobe's Camera Raw plug-in or Adobe Lightroom, or Aperture.
If you're using Apple's iPhoto or Aperture, or Adobe's Lightroom (on either a Windows or Mac machine), then those programs can take care of image transfer for you. As with any other application, you'll need to specify that you want those applications to take over image downloading. Consult the documentation for all three programs for more information, and be aware that these applications all copy your images into their own library systems, so you don't need to worry about where the images should be stored. Each program will take care of putting the files in a location that's right for them.
Richard Earney is an award-winning Graphic Designer for Print and Web Design and Coding. He is a beta tester for Adobe Photoshop, a consultant for Photoshop Lightroom, on the Apple Developers program and is an expert on Digital Workflow. He has been a keen photographer for over 30 years and is a Licentiate of the Royal Photographic Society. He can be found at http www.method-photo.co.uk
RAW files store image data directly from the camera's sensor to the media card with a minimum of in-camera processing. Unlike JPEG images, which you can view in any image-editing program, you must view and convert RAW files using Canon's Digital Photo Professional program or another program such as Adobe Lightroom or Adobe Camera Raw.
I almost always arrive early to assess the lighting, take a few test shots, and create a custom white balance, if I feel that's the best option. I sometimes use an automatic white balance for indoor events, tweak the color in post-production in Camera Raw or Lightroom, and then apply that color-correction as a batch to all the images shot under similar lighting conditions. Again, workflow considerations affect shooting methodology, so it pays to take some time and think this through before you begin shooting.
For example, Lightroom is my choice when a lot of images need to be fixed with no time for Photoshopping. The Hue Saturation Lightness tool is incredible, as is the Split Toning feature. If there's any drawback to LR it's that it doesn't support two monitors, but the fact that Lightroom will create and upload my web albums makes up for it. That feature is a life quality enhancer since I can go to sleep while it's working.
Full program like Lightroom 2, and to a lesser extent, Capture One. I find there's an extra bit of quality I can pull from 1 Ds Mark III files here that I can't get from the other programs, although as stated, they really are all very good. Aperture files often feel richer, more film-like, and more like medium-format shots. The drawback is that even with a relatively fast computer, the program is slow. I generally work on a MacBook Pro with 2.4 GHz Intel Core 2 Duo processors, 4GB of SDRAM, on hard disks with a lot of room. This is a quantum leap over my previous G4 machine. That said, when I drag an adjustment slider in Aperture 2, I often have to wait for the program to catch up, and that sluggish feeling can be, truly, a 'drag.' Similarly, an image that might process in eight seconds in Capture One could take a minute in Aperture 2.
In broad terms, both sunrise and sunset register at approximately 2000 K. To get the best color, you can set a custom white balance. If you're fortunate enough to have a color temperature meter, setting the K white balance option to the color temperature meter reading provides the best results. If you're shooting RAW images, you can also adjust the color temperature after capture in DPP, Camera Raw, or Lightroom.
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